ジョン・ミッチェル ジャーナリスト
「追跡・沖縄の枯れ葉剤」（高文研）、「追跡・日米地位協定と基地公害」「永遠の化学物質 水のPFAS汚染」（岩波書店）、「Poisoning the Pacific」(Rowman & Littlefield) 著者。
2015年、日本外国特派員協会の「報道の自由推進賞」の「報道功労賞」を受賞。
1974年イギリス生まれ。1998年に来日して以来、沖縄の人権問題、化学兵器、軍隊による環境汚染の問題などを取材。沖縄の米軍基地報道は新聞各紙で採り上げられ、また、その取材を元に製作された琉球朝日放送のTVドキュメンタリー番組「枯れ葉剤を浴びた島：ベトナムと沖縄・元米軍人の証言」（2012年）は、日本民間放送連盟賞 テレビ報道番組 優秀賞を受賞。2016年から沖縄タイムス特約通信員。2019年、沖縄国際大学はミッチェルが米情報自由法に基づいて入手した米軍やCIAの内部文書 - ジョン・ミッチェル コレクション - を公開。
明治学院大学国際平和研究所研究員。
「追跡・沖縄の枯れ葉剤」（高文研）、「追跡・日米地位協定と基地公害」「永遠の化学物質 水のPFAS汚染」（岩波書店）、「Poisoning the Pacific」(Rowman & Littlefield) 著者。
2015年、日本外国特派員協会の「報道の自由推進賞」の「報道功労賞」を受賞。
1974年イギリス生まれ。1998年に来日して以来、沖縄の人権問題、化学兵器、軍隊による環境汚染の問題などを取材。沖縄の米軍基地報道は新聞各紙で採り上げられ、また、その取材を元に製作された琉球朝日放送のTVドキュメンタリー番組「枯れ葉剤を浴びた島：ベトナムと沖縄・元米軍人の証言」（2012年）は、日本民間放送連盟賞 テレビ報道番組 優秀賞を受賞。2016年から沖縄タイムス特約通信員。2019年、沖縄国際大学はミッチェルが米情報自由法に基づいて入手した米軍やCIAの内部文書 - ジョン・ミッチェル コレクション - を公開。
明治学院大学国際平和研究所研究員。
追跡・沖縄の枯葉剤
(高文研 2014)
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追跡・日米地位協定と基地公害
(岩波書店 2018)
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永遠の化学物質 水のＰＦＡＳ汚染 (岩波書店 2020）
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Poisoning the Pacific (Rowman & Littlefield 2020)
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Jon Mitchell is a British journalist and author based in Japan.
In 2015, he was awarded the Foreign Correspondents’ Club of Japan's Freedom of the Press Lifetime Achievement Award for his investigations into human rights issues on Okinawa. His research has featured in reports for the U.S. Congress and been the focus of debate in the Japanese parliament.
Mitchell is the author of two Japanese books about military contamination - Tsuiseki: Okinawa no Karehazai (2014) and Tsuiseki: Nichibei Chiikyoutei to Kichi Kougai (2018), coauthor of Japan's first book on the dangers of PFAS, Eien no Kagaku Busshitsu (2020) - and the forthcoming Poisoning the Pacific (2020).
Defoliated Island, a TV documentary about Mitchell's investigation into the usage of Agent Orange in Japan, was winner of a 2012 award for excellence from the Association of Commercial Broadcasters - a first for a foreign journalist. In 2016, the follow-up program was winner of Japan's top TV documentary award.
In 2019, Okinawa International University's library made public the Jon Mitchell Collection a 5500-page database of reports obtained via the US Freedom of Information Act from the CIA, DoD and State Department. The documents catalogue the environmental impact of military operations on Okinawa, CIA attempts to influence public opinion and discriminatory USMC orientation lectures.
Outside Okinawa, his investigations into the decades-long pedophile scandal at Japan's most famous international school prompted an independent enquiry, new school guidelines and compensation for survivors.
In 2011, Mitchell traveled to Tohoku to report on relief operations following the 3.11 earthquake and tsunami. His poems based upon those experiences led British media to call him "Bard of a Broken Country" and the work was published in an acclaimed collection titled March and After to support ongoing volunteer activities.
Mitchell reports as a special correspondent for Okinawa Times. He is an Asia-Pacific Journal associate and visiting researcher at the International Peace Research Institute of Meiji Gakuin University. He also serves on the Board of Advisors to NGO Civilian Exposure.
Mitchell's latest features - and press coverage in English and Japanese - can be found here.
In 2015, he was awarded the Foreign Correspondents’ Club of Japan's Freedom of the Press Lifetime Achievement Award for his investigations into human rights issues on Okinawa. His research has featured in reports for the U.S. Congress and been the focus of debate in the Japanese parliament.
Mitchell is the author of two Japanese books about military contamination - Tsuiseki: Okinawa no Karehazai (2014) and Tsuiseki: Nichibei Chiikyoutei to Kichi Kougai (2018), coauthor of Japan's first book on the dangers of PFAS, Eien no Kagaku Busshitsu (2020) - and the forthcoming Poisoning the Pacific (2020).
Defoliated Island, a TV documentary about Mitchell's investigation into the usage of Agent Orange in Japan, was winner of a 2012 award for excellence from the Association of Commercial Broadcasters - a first for a foreign journalist. In 2016, the follow-up program was winner of Japan's top TV documentary award.
In 2019, Okinawa International University's library made public the Jon Mitchell Collection a 5500-page database of reports obtained via the US Freedom of Information Act from the CIA, DoD and State Department. The documents catalogue the environmental impact of military operations on Okinawa, CIA attempts to influence public opinion and discriminatory USMC orientation lectures.
Outside Okinawa, his investigations into the decades-long pedophile scandal at Japan's most famous international school prompted an independent enquiry, new school guidelines and compensation for survivors.
In 2011, Mitchell traveled to Tohoku to report on relief operations following the 3.11 earthquake and tsunami. His poems based upon those experiences led British media to call him "Bard of a Broken Country" and the work was published in an acclaimed collection titled March and After to support ongoing volunteer activities.
Mitchell reports as a special correspondent for Okinawa Times. He is an Asia-Pacific Journal associate and visiting researcher at the International Peace Research Institute of Meiji Gakuin University. He also serves on the Board of Advisors to NGO Civilian Exposure.
Mitchell's latest features - and press coverage in English and Japanese - can be found here.
w/ Oliver Stone, Okinawa, 2013.
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World Peace Center, Okinawa, 2014.
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Mitchell's investigations have revealed extensive military contamination on Okinawa; this work has helped exposed veterans to receive aid from the U.S. government. He has also uncovered photographs confirming the deployment of atomic weapons to the island and its secret role during the Cuban Missile Crisis. This research forms the basis of a permanent exhibit within Okinawa's sole surviving nuclear silo at the World Peace Centre, Onna Village.
Among Mitchell's other investigations are unseen images of the 1970 Koza Riot - Okinawa's largest outpouring of anti-military sentiment - and evidence the Pentagon tested chemical weapons on its own troops on Okinawa during the 1960s. In 2013, Mitchell broke news about the Cold War disposal of tons of chemical weapons - including nerve gas - near Okinawa's coast and the dangers the dump still poses today.
In 2016, further research revealed US Marine Corps orientation lectures for new arrivals on Okinawa denigrated local residents and downplayed military crimes. Following public outrage, the briefings were revised and their contents made more transparent.
Mitchell regularly gives lectures to inform the public about military contamination on Okinawa. In 2014, he delivered the keynote address at Okinawa's first international symposium on chemical weapons and in the following years he has given lectures aboard NGO PeaceBoat on its voyage between Yokohama and Vietnam on issues including Agent Orange, press freedom and journalism in Japan.
Among Mitchell's other investigations are unseen images of the 1970 Koza Riot - Okinawa's largest outpouring of anti-military sentiment - and evidence the Pentagon tested chemical weapons on its own troops on Okinawa during the 1960s. In 2013, Mitchell broke news about the Cold War disposal of tons of chemical weapons - including nerve gas - near Okinawa's coast and the dangers the dump still poses today.
In 2016, further research revealed US Marine Corps orientation lectures for new arrivals on Okinawa denigrated local residents and downplayed military crimes. Following public outrage, the briefings were revised and their contents made more transparent.
Mitchell regularly gives lectures to inform the public about military contamination on Okinawa. In 2014, he delivered the keynote address at Okinawa's first international symposium on chemical weapons and in the following years he has given lectures aboard NGO PeaceBoat on its voyage between Yokohama and Vietnam on issues including Agent Orange, press freedom and journalism in Japan.
 Henoko Bay, Okinawa, 2014. |
w/ Ai Weiwei, FOAM Amsterdam, 2016.
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Mitchell's Okinawa articles on display at The Japan Newspaper Museum, 2017.
